454 |
of whether we are looking at the edge of the currently shown |
of whether we are looking at the edge of the currently shown |
455 |
part or the whole content. |
part or the whole content. |
456 |
|
|
457 |
*Break lines* are a techinque used in technical drawing |
*Break lines* are a technique used in technical drawing |
458 |
for indicating |
for indicating |
459 |
where an object extends beyond what is drawn in the current |
where an object extends beyond what is drawn in the current |
460 |
diagram. It is visually clear since it uses a shape that |
diagram. It is visually clear since it uses a shape that |
527 |
the viewer's point of view, rather than related to the size |
the viewer's point of view, rather than related to the size |
528 |
of the screen. |
of the screen. |
529 |
|
|
530 |
The benefit of the nadir view is not only the appearance |
Another benefit of the nadir view is that |
531 |
but also it makes the different pieces of text on the screen |
it makes the different pieces of text on the screen |
532 |
visually more distinct from each other, |
visually distinct from each other, |
533 |
as demonstrated in Fig.XXX |
as demonstrated in Fig. [ref-fignadirtext]_. |
534 |
|
|
535 |
- Figure: a) two viewports overlapping sideways, with |
.. raw:: latex |
536 |
same-size text inside. b) like a), but with the viewports |
|
537 |
rotated to nadir. In b) the two papers are visually |
\begin{figure} |
538 |
distinguished preattentively (REF; see fillets article) |
\centering |
539 |
XXX Add nadirtext.1, nadirtext.2!! |
a)\includegraphics{nadirtext.1}\\ |
540 |
|
b)\includegraphics{nadirtext.2} |
541 |
|
\caption{ |
542 |
|
\label{fignadirtext} |
543 |
|
a) two viewports overlapping sideways, with |
544 |
|
same-size text inside. b) like a), but with the viewports |
545 |
|
rotated to nadir. In b) the two papers are visually |
546 |
|
distinguished preattentively (REF; see fillets article) |
547 |
|
XXX Add nadirtext.1, nadirtext.2!! |
548 |
|
} |
549 |
|
\end{figure} |
550 |
|
|
551 |
|
|
552 |
Distortion-oriented Focus+Context view of virtual paper |
Distortion-oriented Focus+Context view of virtual paper |