161 |
a label is placed on the margin and a line is drawn to the relevant |
a label is placed on the margin and a line is drawn to the relevant |
162 |
point in the image. XXX See Fig. [ref-fignasa]_. |
point in the image. XXX See Fig. [ref-fignasa]_. |
163 |
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164 |
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.. figure:: mercury5part2 |
165 |
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:width: 8.45cm |
166 |
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:label: fignasa |
167 |
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168 |
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An example of *buoy*-like annotation and *break lines* in a |
169 |
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NASA diagram for for the Mercury 5: |
170 |
|
labels are placed in the margin and |
171 |
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connected to the relevant points in the image; |
172 |
|
freehand lines are drawn to indicate that |
173 |
|
the depicted object extends beyond the shown section. |
174 |
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|
175 |
Free form 'digital ink' annotation |
Free form 'digital ink' annotation |
176 |
(e.g., XLibris [schilit98digital]_, iMarkup[XXref]) |
(e.g., XLibris [schilit98digital]_, iMarkup[XXref]) |
177 |
allow cross-cutting connections inside a single document. |
allow cross-cutting connections inside a single document. |
409 |
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|
410 |
As the textures are intended for distinguishing |
As the textures are intended for distinguishing |
411 |
*similar* nodes, their appearance should not be made to reflect |
*similar* nodes, their appearance should not be made to reflect |
412 |
any attributes of the content. |
any features of the content. |
413 |
Instead, the texture should only depend on a permanent identity |
Instead, the texture should only depend on a permanent identity |
414 |
of the node. |
of the node. |
415 |
That way, the textures in any view are similar only by chance |
That way, the textures in any view are similar only by chance |
477 |
is obviously not a part of the object's own shape |
is obviously not a part of the object's own shape |
478 |
(wiggly freehand line), see Fig. [ref-fignasa]_. |
(wiggly freehand line), see Fig. [ref-fignasa]_. |
479 |
|
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|
.. figure:: mercury5part2 |
|
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:width: 8.45cm |
|
|
:label: fignasa |
|
|
|
|
|
An example of *buoy*-like annotation and *break lines* in a |
|
|
NASA diagram for for the Mercury 5: |
|
|
labels are placed in the margin and |
|
|
connected to the relevant points in the image; |
|
|
freehand lines are drawn to indicate that |
|
|
the depicted object extends beyond the shown section. |
|
|
|
|
480 |
We apply this technique by drawing the buoys as |
We apply this technique by drawing the buoys as |
481 |
non-photorealistically torn-off pieces of the target document. |
non-photorealistically torn-off pieces of the target document. |
482 |
However, because of the requirements of fluid animation, |
However, because of the requirements of fluid animation, |